By Jay Bautista
Already considered a National Treasure by her hometown, this Gawad Manlilikha Awardee is the last living pabalat or pastillas wrapper-cutter of her generation. With no trained successor in line, the craft might soon die a natural death. Not even her own blood – her children or grand children – are interested in holding up her scissors and tracing through the colorful papel de hapon on her own designs that have endured as old as her dying craft.
She blames television and the very fast pace of life as the main reason why she is all by herself now. Back then, as a 12 year-old, 5th grader, Lola Luz started cutting pastillas wrappers as a hobby to help her mother. She thought it would help sell more pastillas if every wrapper is “individually and attractively designed.” Taking inspiration from various shapes of flowers, leaves, and other subject of her surroundings, the Mendoza brand of pastillas had that distinct “sweet” taste of success.
It usually takes 10-15 minutes to make a bundle of six wrappers, however at her age now but still without aid of eyeglasses, she averages “only” a hundred wrappers a day. To date, she has 50 patterns to the art including the famous magbabayo, bahay kubo and dalagang bukid.
The tools of her trade are simple yet varied. She has a wide array of small knives, ribs of umbrella (tangkay ng payong), and surgical scissors to snip every nook and cranny of her preferred Japanese paper (papel de hapon) wrapped around the pastillas. Eventually, as an alternate, she would also carve intricate designs on fruits like dayap, suha, kundol, and santol.
It is in these quaint and well-decorated homes, filled with local floral and fauna motifs on their ceilings and inlays of the roofs and ventanillas, where Lola Luz first got her inspiration to her pabalat.
In fact the town is filled with culture and history that pastillas de leche is the town’s source of pride. In fact payumo literally means “sweet” that families engaged in this business have over the years handed down and improve the recipe to their descendants. This industry of making “soft, and sweet confection of fresh carabaos milk and sugar” has provided livelihood to many families and sent lots of children to school. To date, there are 200 producers in San Miguel alone who continue this tradition.